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Home / Our people / Dr Frankie Perry

Dr Frankie Perry

College Lecturer in Music

frankie.perry@hertford.ox.ac.uk

Frankie Perry is a College Lecturer in Music at Hertford, where she teaches tutorials for various musicology and music history topics. Elsewhere at Oxford she works part-time on the Elgar’s Themes project, and she also works part-time as Digital Music Collections Specialist at the British Library.

Frankie studied Music at Oxford before completing an AHRC-funded PhD at Royal Holloway, University of London in 2021, on 21st-century arrangements and reimaginings of 19th-century Lieder. Since then, she has worked primarily with music-related special collections at the British Library, initially in the Sound Archive and, since 2023, in Music Collections. She also held a postdoctoral role on the InterMusE digital musicology project at the University of York. Her interests include collections-based research, women’s musical archives, music and the digital humanities, and various areas of post-1800 Western classical music. She is currently pursuing research projects around the picture postcards of Edward Elgar and his family, and the archives of a number of 20th-century women musicians held at the British Library.

  • Publications

    Frankie Perry and Gail Tasker, ‘Papers, Tapes, and Ephemeral Traces of a Singer’s Life and Legacy: The Cullen Maiden Archive at the British Library’, Royal Musical Association Research Chronicle, 56 (2026), 171-185: doi.org/10.1017/rrc.2025.10011 

    Frankie Perry, ‘Schubert, Sincerity, and “An die Musik” in the Twenty-First Century’, in The Oxford Handbook of Arrangement Studies, ed. Ryan Bañagale (Oxford University Press, 2025): doi.org/10.1093/oxfordhb/9780190061869.013.4

    Frankie Perry, ‘Review: Avant-Garde on Record: Musical Responses to Stereos by Jonathan Goldman’, Fontes Artis Musicae, 72/3 (2025), 261-264: doi.org/10.1353/fam.2025.a971685

    Frankie Perry and Loukia Drosopoulou, ‘Archives of Women Musicians: a Hidden Collections Cataloguing Project at the British Library’, Brio, 61/2 (2024), 39-57.

    Frankie Perry, ‘Schubert’s Mignon and Reimann’s Mignon: Advocacy and Analysis in the Arrangement of Little-Known Lieder’, in The Lied at the Crossroads of Performance and Musicology, ed. Benjamin Binder and Jennifer Ronyak (Cambridge University Press, 2024), 102-125: doi.org/10.1017/9781009003605.007

    David Bainbridge, Rachel Cowgill, Frankie Perry, J. Stephen Downie, Alan Dix, Michael B. Twidale, ‘Collaborative Musicology: Designing a Digital Library of Musical Events Ephemera’, Proceedings of the 10th International Conference on Digital Libraries for Musicology. ACM (2023), 119-127: doi.org/10.1145/3625135.3625147

    Frankie Perry, ‘Brahms’s Serious Songs in the Orchestral Imagination’, in Rethinking Brahms, ed. Nicole Grimes and Reuben Phillips (Oxford University Press, 2022), 357-374: doi.org/10.1093/oso/9780197541739.003.0018

    Frankie Perry, ‘Franz Schubert, Lieder with Orchestra’ (CD Review), Nineteenth-Century Music Review, 17/2 (2020), 293-296: doi.org/10.1017/s1479409818000599

    Frankie Perry, ‘Bernhard Lang: The Cold Trip’ (CD Review), TEMPO, 72/285 (2018), 101-103: doi.org/10.1017/S0040298218000165

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